《音(yin)乐探索》2020年第4期(qi)目(mu)录
艺术教育(yu)
03 刘立云、李林芸、柳良/综合驱动(dong)创新(xin) 统(tong)整彰显(xian)特色(se)——基于(yu)四川音(yin)乐学院“艺术课程”的统(tong)整研究
LIU Liyun, LI Linyun, LIU Liang: A Study on the Integration of Art Courses in SCCM
10 刘永(yong)福/基本乐科(ke)教学现状及问题反思
LIU Yongfu: The Current Situation of Teaching Basic Music Subjects and Some Reflections on Its Problems
15 朱玉(yu)江/当代知识观转(zhuan)(zhuan)型与学校音乐课(ke)程范式转(zhuan)(zhuan)向
ZHU Yujiang: The Transformation in the Contemporary Conception of Knowledge and the Paradigm for School Music Course
新文(wen)科建(jian)设
23 孙洪斌/“新文科”理念(nian)下艺术(shu)复合型(xing)人才创新性(xing)培养模式探索(suo)与实践(jian)
SUN Hongbin: The Exploration and Practice in the Innovative Mode of Cultivating Compound Art Talents in the Context of “New Liberal Arts”
29 康(kang)瑞军/“新文科(ke)”背景下高师音乐(le)专(zhuan)业学科(ke)建设的挑(tiao)战与(yu)出路(lu)
KANG Ruijun: The Challenge and Outlet for the Disciplinary Construction of Music as Major in Normal Universities in the Context of “New Liberal Arts”
音乐产业
34 赵志安、曹军军、王毅潇/国家音乐产业基地园区(qu)评价指标(biao)体系的初步建构
ZHAO Zhi’an, CAO Junjun, WANG Yixiao: The Construction of the Evaluation Index System for National Music Industrial Base
43 林印吉(ji)/从声(sheng)音(yin)装置艺(yi)术(shu)作品看艺(yi)术(shu)与科技(ji)的(de)融合(he)
LIN Yinji: The Fusion of Art and Technology Viewed from the Sound Installation Works
48 曾(ceng)诚/商业音乐(le)产品模式对(dui)流行音乐(le)制作(zuo)教学的影响
ZENG Cheng: The Influence of Commercial Music Products Mode on Popular Music Production Teaching
艺(yi)术(shu)批评
54 居其宏/我国歌剧史论(lun)研究和批(pi)评的现状与思考
JU Qihong: The Current Situation of Studies and Criticisms on China Opera History and Some Reflections on It
59 陈玲俐(li)/利盖蒂(di)的“静态”音乐(le)研究——以《永(yong)恒之光》为例
CHEN Lingli: On György Ligeti’s “Static” Music: A Case Study of Lux Aeterna
70 朱(zhu)为总、朱(zhu)温臣/信仰(yang)抉(jue)择 人性光芒——浅(qian)评(ping)现代越剧(ju)《枫叶如花》
ZHU Weizong, ZHU Wenchen: Choice in Belief and Light of Human Nature: A Brief Review of Modern Yue Opera Flower-like Maple Leaves
王光祈研(yan)究
74 杨晓(xiao)琴(qin)、董一知/歌剧还(hai)是戏曲?——论王(wang)光(guang)祈歌剧观(guan)
YANG Xiaoqin, DONG Yizhi:A Study on Wang Guangqi’s Conception of Opera
人工智能音(yin)乐
82 杨小影/“智能(neng)+钢琴教育”初步(bu)构(gou)想(xiang)浅(qian)析
YANG Xiaoying: An Analysis of the Preliminary Conception for AI Assisted Piano Education
87 夏一婷(ting)、蔡(cai)梓丰/让音乐辅助大(da)脑休(xiu)息——冥想音乐研究综述
XIA Yiting,CAI Zifeng: Resting the Brain by Music: A Review of the Studies on Meditation Music
民族民间音乐(le)
92 齐柏平/唐代“山(shan)歌”的(de)内涵与外延
QI Baiping: The Connotation and Denotation of the Folk Songs in the Tang Dynasty
99 丁博、杨曦(xi)帆(fan)/“整体(ti)性”考量:从学理(li)方法与(yu)区域实践说起——岷江(jiang)上游地区藏羌多(duo)声部民歌(ge)研究回顾与(yu)展望(wang)
DING Bo, YANG Xifan: A Review and Outlook for the Multi-Voice Songs of Tibetan and Qiang People in the Upper Reaches of Min River
108 吴志闹/琵琶(pa)在当代民族管弦乐队弹(dan)拨乐组中的(de)配器(qi)
WU Zhinao: The Orchestration of Pipa in Plucked Strings of Contemporary Chinese National Orchestra
音乐史学
116 陈海、田可文/论柏(bo)林歌曲(qu)乐派的(de)三阶段及其(qi)风格(ge)
CHEN Hai, TIAN Kewen: The Three Stages of Berlin Lieder School and Its Style
127 汪(wang)洋、董楚玮(wei)/李树(shu)化(hua)在(zai)浙江大学(xue)(1946~1956年)的音乐活动考
WANG Yang, DONG Chuwei: An Investigation into the Musical Activities of Li Shuhua in Zhejiang University from 1946 to 1956
136 池瑾璟/新历史主(zhu)义视阈下的【满庭(ting)芳(fang)】研究
CHI Jinjing: A Study on the Tune Pattern Mantingfang in the Perspective of New Historicism
142 《音乐探索》第(di)三十六卷总目(mu)录
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