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四川音乐学院学报《音乐探索》2020年第3期目录

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四川音乐(le)学院学报《音乐(le)探索》2020年第3期(qi)目录

传传统音乐研(yan)究

03  刘立云： 关于(yu)中(zhong)华(hua)传统(tong)音乐研(yan)究的几点思考(kao)——以四川音乐学院中(zhong)华(hua)传统(tong)音乐研(yan)究院建设为例

LIU Liyun: Some Reflections on China Traditional Music Researches: A Case Study of the Construction of China Traditional Music Academy of SCCM

民族民间音乐

07  杨民康：论云南各民族乐舞多元分层一体化分(fen)布(bu)格局——兼谈对(dui)舞乐发展现状(zhuang)及前(qian)景的几点认识

YANG Minkang: The Plurality and Integrity in the Distribution of Multi-nationality Dances of Yunnan and the Current Situation and Prospect of the Dance Music

13  王(wang)清雷：从三例(li)新出土钟磬实物的试奏谈“金石之(zhi)乐”的(de)创作(zuo)

WANG Qinglei: A Discussion on the Composition of Metal and Stone Music from the Trial Play of Three Newly Unearthed Bells and Chimes

23  苏(su)振华/荆河戏传承人的(de)“话语”解读

SU Zhenhua: The Interpretation of the Discourse in the Inheritance of Jinghe Opera

王光祈研究

30  宫宏宇  黄淑娟：波恩东亚(ya)研(yan)究院所(suo)藏(zang)王(wang)光祈留德资(zi)料及其研(yan)究价值

GONG Hongyu  HUANG Shujuan: The Documents on Wang Guangqi’s Study in Germany Stored in Bonn Ostasien-Institut and Their Value for Research

音乐教育

42  侯钫(fang)：艺术(shu)院校(xiao)推进“思政课程+课程思政”建设的探(tan)索与思考

HOU Fang: An Exploration of the Construction of Political and Ideological Theory Course in Art Colleges

48  雍敦(dun)全  刘力：艺术院校音(yin)乐专业学术评价研究

YONG Dunquan, LIU Li: A Study on the Academic Evaluation in Arts Colleges

55  邹筱丹(dan)：刍(chu)议(yi)民族声乐教学(xue)对(dui)美声唱法的借鉴(jian)与融合

ZOU Xiaodan: The Reference from Bel Canto for Chinese National Vocal Music Education

 

影视戏剧音乐研究

60  郑锦扬：一个梦(meng)想(xiang)  三点(dian)思考：新时代中国歌剧、音乐(le)戏(xi)剧发展的创新与超越

ZHENG Jinyang: The Innovation and Transcendency in Chinese Operas and Musicals of the New Era

音乐史学

72  项筱刚：再论李(li)香兰与中国流行音乐之关系——由李香兰诞辰100周年所想到的

XIANG Xiaogang: A Further Discussion on Li Xianglan’s Connection with Chinese Popular Music on the Centenary of Her Birth   

81  肖(xiao)武雄：均孔不均律的内因探秘

XIAO Wuxiong: Probing into the Cause of Unequal Temperament over Equal Hole Space of Chinese Bamboo Flute

87  张(zhang)婷婷：释甲骨文中的“  ”字

ZHANG Tingting: An Interpretation of the Character  in Oracle-bone Inscriptions

93  留(liu)生：“孤岛(dao)”时期的张昊及其歌(ge)唱剧《上(shang)海(hai)之歌(ge)》

LIU Sheng: Zhang Hao in the “Isolated Island” Period and His Musical The Song of Shanghai

104  谢艾(ai)伶：《华阳国志》中(zhong)的音(yin)乐(le)史料研(yan)究

XIE Ailing: A Study on the Music Historical Records in The Chronicles of State Huayang

113  汪静一：沈秉廉儿(er)童歌(ge)舞剧《五蝴蝶在花(hua)园里》研(yan)究

WANG Jingyi: A Study on Shen Binglian’s Musical for Children Five Butterflies in the Garden

作曲技术理论

121  包德述：20世纪上半叶我国民(min)族化(hua)和声探索的创作实践(jian)与意义

BAO Deshu: The Exploration and Significance of the Nationalization of Harmony and Its Practice in Composition in the First Half of the 20^th Century in China

132  杜晨晨：戏(xi)曲元(yuan)素在当代(dai)流(liu)行音乐创作中的融(rong)合

DU Chenchen: The Absorption of the Traditional Opera Elements into the Contemporary Pop Music

技(ji)能技(ji)法

138  邓耀灵：谭(tan)小麟艺术歌(ge)曲中的(de)钢琴伴奏研究

DENG Yaoling: A Study on the Piano Accompaniment for the Art Songs by Tan Xiaolin

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